For a complete accounting and timeline of Dorchester Publishing’s malfeasance, as well as links to other sources, click here.
NOTE FROM BRIAN: I first met Mari Mancusi back in 2008 at BEA – a publishing industry trade show held each year in New York City. Mari and several other romance writers were there for the launch of Dorchester’s Shomi line, and Deborah LeBlanc and I were there to promote the horror line. After a long day of signing books for and shaking hands with librarians, booksellers, and salespeople, we went out drinking, and Mari started a knife fight with some drunken Teamsters… okay, that last bit didn’t happen, but my point is this. I respect and admire Mari, so when she asked me if she could write a guest blog about life after Dorchester, I said I’d be honored. And here she is.
I still remember the day my dot.com company dragged us all into the conference room on Friday afternoon — pay day — and announced there would be no pay checks distributed at the end of the day. Not today — and not ever again. We were summarily dismissed and suddenly found ourselves unemployed — with no way to make up the money that was owed to us. It was devastating, to say the least. I felt powerless and weak and alone.
Fast forward 10 years and bring on the déjà vu when I opened my mailbox to find a royalty statement from my long time, traditional publisher, Dorchester. While the statement clearly stated I was owed money, there was no check inside. Dorchester was having financial difficulties, just like my dot.com and chose not to pay what it owed.
But this time, I wasn’t going to just lay down and die. Maybe I’d never see a dime from Dorchester, but that didn’t mean I couldn’t make a dollar on my own. And so, as my agent, Kristin Nelson, worked tirelessly to get the rights to my books reverted (as the company was now in breach of contract), I started researching how to publish these backlist titles on my own. Together we began the process of working with cover artists, copyeditors, and converters to breathe new life into these old books. I even did some rewriting! One of the advantages to digital publishing—you can always update and tweak your product. (Though my husband likes to tease me and say I’m like George Lucas in that regard…)
On March 9th we launched Tomorrow Land, a dystopian YA novel previously published as Razor Girl in Dorchester’s crossover Shomi line. Best described as a post-apocalyptic pilgrimage to Disney World in a zombie infested wasteland, the story follows two teens who had fallen in love before the apocalypse and then separated, Casablanca style, only to be reunited four years later and forced to find a way to trust one another again. All the while trying to deal with those pesky, flesh eating zombies!
I can’t tell you how awesome a feeling it is to log onto Amazon and see Tomorrow Land up for sale and know — without a shadow of a doubt — that I’ll be properly paid for each and every download — with a 70 percent royalty rate instead of the six percent my publisher couldn’t even cough up in the end. Even better, the new book will never go out of print and I can charge half the cover price of the original. (So not only do I benefit — but readers do, too.)
I know that I will never get that last check from my dot.com company. And there will never be a royalty check in the mail from Dorchester. But you know what? Their failure is not mine. I have taken back the reins of my career and now have the freedom to seek out my own pathway to success.
About Tomorrow Land
Can true love survive the end of the world?
Imagine finding your first love, only to be ripped apart by the apocalypse. Peyton Anderson will never forget the day she was forced to make a choice–between her family–and Chris Parker, the boy she’d given her heart. And now, four years later, as she steps from the fallout shelter and into a dead and broken world, he’s the only thing on her mind.
All Chris “Chase” Parker wanted was to take Peyton away and keep her safe from harm. But he waited for hours in the rain on judgment day and she never showed–breaking his heart without ever telling him why.
Now the two of them have been thrown together once again, reluctant chaperones of a group of orphan children in a post-apocalyptic world where the dead still walk…and feed. As they begin their pilgrimage to the last human outpost on Earth, can they find a way to let go of old hurts and find the love they lost–all the while attempting to save what’s left of the human race?
Tomorrow Land is available at Amazon, Barnes & Noble, and iBooks

I like your positive attitude, Mari, and wish you the very best with the relaunch. Great post!
Very uplifting story about not giving up. Tomorrow Land sounds like a good book!
Excellent ending to the story. And post-apocalyptic zombies… you’re getting your 70% from me. (Assuming my Nook has as good of rates for you as a Kindle.)
“Best described as a post-apocalyptic pilgrimage to Disney World in a zombie infested wasteland…”
Boom. Consider it bought, based on that alone. I am a Disney whore, and you won me over.
As for the actual point of the blog, I admire you pressing on and not taking the Dorchester debacle lying down. Good for you, and I’m happy to see you will continue to thrive even when they failed you. Best of luck!
Thanks guys! It’s been quite a ride and I’m sure it’s far from over. I was lucky my agent was so persistent in getting my rights back so I could do this–there are so many authors who published with Dorchester who are still being held hostage, with the company, though clearly in breech of contract, still clinging to their rights. It makes me very sad. Dorchester had always felt like a family to me in the beginning, but it turned out to be a very dysfunctional one, indeed. That said, I don’t blame the editors–they were wonderful, hardworking people who treated us with respect. It’s just too bad their bosses turned out to be crooks.
@Mari: So you are self publishing now, and I’m curious about your thoughts regarding agents. You obviously don’t need an agent to self publish, so what function will an agent serve you in the future? Also, for someone who is considering self publishing, what is your advice regarding agents?
Hey Doc! That’s actually a really good question and I don’t think everything has shaken out at this point to give a definitive answer. I will say there’s a real difference in agents–some are proactively trying to stay relevant and serve their clients who also want to self publish while others are sticking to what they know–traditional NYC publishing. Since I still publish traditionally (with Penguin) in addition to self publishing, I still see a lot of value in having an agent manage my career as a whole. An agent can also work out foreign rights and film and audio deals, for example. Those might not be worth a lot of money now, but in the future, I think this will be important and an agent can help with that.
So for someone looking for a mix of trad and indy publishing, maybe an agent is still a good bet. But if your five year plan consists solely of self-publishing, than an agent probably wouldn’t be worth it. Instead of an agent, I’d suggest hiring a company that can, for a flat fee, help you with the tricky stuff. I don’t know about you, but I’m no cover designer and the whole file conversion thing scares me more than zombies.
So this is a good option if you want to still just focus on the writing versus the technical aspect of self-publishing. It takes care of some of the things a publisher or agent would help you with, but for a flat fee and you keep all the rights. You’ll still need to do your own promo though, sadly.
That’s probably more information than you wanted to know! And tomorrow will bring a whole new set of rules. But I’m so glad we have the freedom now to take charge of our careers and make these choices ourselves, instead of being tied down to one way or the highway.
I appreciate your thoughts. Thanks for sharing them. I wish you the best in your future endeavors…